최준용, 홍 철기 - hum and rattle

1. h r
2. u a [sample]

3. m t [sample]

4. a t

5. n l

6. d e

running time: 73:53

released date






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최준용: 시디플레이어
홍철기: 턴테이블
커버디자인 : 최준용, 홍철기

같이 연주한지 10년이 되어 가는 최준용과 홍철기의 듀오 음반으로, 그들의 노이즈 프로젝트인 'Astronoise;와는 별개로 이 앨범은 지난 몇년 동안 두 사람이 집중하고 있는 시디플레이어와 턴테이블 연주를 담고 있다. 최준용은 시디플레이어의 에러 사운드와 내부/외부 사운드를 끄집어내어 연주를 하며, 홍철기는 스피커나 카트리지를 이용하여 턴테이블로 독특한 피드백 사운드를 만들어낸다. 3일 동안의 레코딩을 담고 있으며 Relay13에서의 라이브 연주도 실려있다.

at Iry Cafe / RELAY13, 2007/07/06


[review on Startling Moniker by dave x]
From the Seoul-based Balloon & Needle label, “Hum and Rattle” features some of label head Hong Chulki and Choi Joonyong’s phenomenal turntable and opened CD player compositions. Advantageous use of noise bursts that could make Merzbow flinch, contrasted with periods of near (or total) silence make this an ideal album for headphone listening– especially in regards to the delicacy of Choi’s contributions, which comprise everything from the the faintest digital seek-sound, to full-blown read error exploding into unlikely patterns of bitrate-lacework.
For his end; Hong’s turntable tends toward the lower frequency (and possibly sans vinyl) approach to noisemaking. It’s DJ Q-Bert’s nightmare– needle drops, empty platters spinning against the tonearm, skipping one groove and proceeding to practically lathe-cut the next.
Fortunately, both Hong and Choi evidence a strong ability to not only play off one another’s sounds, but an enthusiasm for allowing both sounds and each other room to breathe. Openness is what sets “Hum and Rattle” apart from many other discs splashing about in similar waters. This approach is most easily heard on the second track, “u a”, something like an 11-minute act of digital call-and-response where one player is a void.
The album closes with a live recording made during a Relay free improvisation meeting. Although it naturally lacks the stereo dynamic that helps make the previous tracks as compelling, it’s nice to hear evidence that Hong and Choi do not rely on studio tricks for the generation of their sound. Rather, the turntables and CD players are treated as instruments in their own right, a much-mouthed but rarely-heard acclamation.
“Hum and Rattle” is attractively packaged in a simple folded-card sleeve, and is available from Balloon & Needle.

[review on TEMPORARY FAULT by Massimo Ricci]
Apart from the nice U2 pun of the title, this record – entirely realized with a CD player and a turntable – brings an unrepentant, if somewhat moderate assault on the listener’s ears, subjected to an alternance of remorseless frequencies and episodes of extra-charged “tranquillity” for over 73 minutes. The protagonists manipulate their sources with expertise, obtaining uncommonly surprising sounds whose scope goes from ultrasonically acute stabs and extremely sharp interlocutions to quasi-silent segments where only through headphones we’re able to identify some sort of subterranean activity, often based on the exploration of audibility ranges that are better suited to dogs, cats and bats than humans (one can always improve, though). There’s a method to this music, which is why I particularly appreciate it: the performers are listening attentively even before releasing substances, which gives the idea of partially predetermined materials, although that’s probably not the case. There are abundant doses of pleasantly musical noise that, for once, implies a cleverly planned structure instead of exclusively introducing pain and tediousness, Chulki and Joonyong the representatives of an open-minded aural diplomacy that tends to leave exasperation aside in favour of an almost total sonic acceptability, disintegrated constituents notwithstanding. This release could be seriously cherished by those who welcome the products of Ferran Fages’ acoustic turntables. A well conceived, stimulating work.